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Novelty is easy.
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Pour maple syrup on a Saturn V rocket and you've done it.
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Now slingshot a strip of three-quarters-cooked bacon at a presidential motorcade and, huzzah, you've done it not once but twice.
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Progress, on the other hand, is hard.
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It involves not just doing something new, but achieving a new level of quality - a new pinnacle of performance.
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By the way, if interesting novelty is your ultimate aim, try making progress on some specific problem.
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Its many specific constraints will force you to do many specific things (things you otherwise would not do), and end up with a very specific result that is peculiar and not what you'd have predicted when starting off.
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To see what I mean, look at the artifacts produced by engineers, like the windings of an electric motor or the symmetries of a jet engine's blades.
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They're often very artful indeed, but shaped first by the engineering problem, not aesthetics or a desire for novelty.
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I'm currently thinking about this in the context not of art or engineering, but prose style.
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How do you let the material and the meaning guide the style?
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Might you end up with compelling and even novel style just by trying to do justice to the ideas?
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